Arranged Image

Arranged Image explores the quiet structures already present in the world—repetition, geometry, rhythm, interruption, and chance. Moving between photography, abstraction, and visual observation, the collection isolates moments in which ordinary subjects begin to reveal an underlying order.

Surrealism in Plain Sight

Surrealism in Plain Sight finds the uncanny within the ordinary, where familiar objects slip quietly out of their expected roles. Through unexpected scale, repetition, and placement, everyday environments become scenes of visual interruption—strange enough to invite a second look, yet grounded enough to feel almost plausible. The series explores the thin boundary between observation and imagination, suggesting that the surreal does not always need to be invented; sometimes, it is simply waiting to be noticed.

The Architecture of Sound

The Architecture of Sound explores the visual language of recorded sound, where repetition becomes pattern and music becomes material. Vinyl records move across walls in shifting scales and arrangements, transforming familiar objects into a composition of circles, color, and rhythm. Fragments of musical history remain embedded within the scene, blurring the line between collection, environment, and image while reflecting on the physical traces through which music is remembered.

States of passage

Arranged Image/States of Passage

States of Passage turns the American license plate into an accidental archive of movement. Gathered across states, eras, colors, and conditions, the plates become fragments of journeys once taken—markers of departure, arrival, distance, and return. Removed from the vehicles they once identified, they no longer indicate where someone belongs, but where they have passed through.

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The Wall Has Something to Say

The Wall Has Something to Say looks at the city wall as an evolving public archive, where images, gestures, advertisements, and anonymous marks accumulate into an accidental composition. Torn paper, street drawings, and fragments of graphic culture overlap without a single author, turning an ordinary surface into a record of collective presence. The work considers how public spaces absorb the voices of those who pass through them—temporary, layered, and continually rewritten.

Even the Milk Becomes a Memory

Even the Milk Becomes a Memory considers the quiet intimacy of everyday objects and their ability to anchor us to a particular place and moment. Ordinary cartons become vessels of geography, routine, language, and design—details that can feel insignificant until they disappear from daily life. The work reflects on how memory attaches itself to the most commonplace things, preserving fragments of experience long after the moment itself has passed.

Colorful PLantain

Arranged Image/Colorful Plantain

Colorful Plantain finds rhythm in the architecture of the natural world. Emerging fruit, overlapping leaves, threads of light, and small imperfections transform a familiar tropical plant into an intricate study of pattern, repetition, and growth.